The Northwest Flower and Garden Festival ended on February 18. My forsythia, at first had only a couple of flowers blooming, ended up with more blossoms by the time I took it down. This year the timing was just right!
On Sunday at 6 pm. The show was over, and it was time to take down the arrangement. All the Ikebana International members who made arrangements showed up at the booth to take down their own work.
When I was disassembling my branches, one of the new members, a young man, came up to me. It was his first time to display his arrangement. I complimented his work. He thanked me for my words. Then he said, “What is your yellow flower called?”
“Forthythia.” I replied.
“In Vietnam, where I’m originally from, it’s called ‘xxx’ ( I couldn’t quite catch the name), literally meaning ‘yellow flower’. Such a popular flower in Vietnam, but I never knew it also grows around here.”
“You want one? Take these branches with you. Forthysia is so easy to propagate.”
“Really? Thank you so much! I will definitely try that at home!”
This simple conversation made my day. Now I know which country he is from. Even a young guy like him from a country I have never visited fully enjoys Ikebana. And my forsythia, rather than being thrown away, will start a new life under his care.
Why do I continue practicing Ikebana? Because I would like to encounter more of these nice surprises.
How this hard bud of forsythia will turn out next week
It’s cold here in Seattle. My forsythia in the backyard doesn’t have a slight hint of blooming anytime soon. The Northwest Flower and Garden Festival is coming up in a week, and I’m supposed to make an Ikebana arrangement for the Ikebana International Seattle Chapter booth. Will I be able to use this branch for my arrangement?
Why not try it! I will pick a few branches with interesting lines and shapes, cut them, put them in a large bucket filled with water, and bring them inside. With warmer temperatures in the house, the hard buds may begin to open in a few days.
You cut out branches and flowers from nature, and you transform them into something different from their original conditions, shapes, and forms. You add sprinkles of your imagination and creativity. Sometimes it turns out to be beautiful, but sometimes it doesn’t.
You move your point of view. You improvise. You do your best. Yet you will never know what the outcome will look like.
What is fun about Ikebana is the excitement of transformation.
I will report to you how my arrangement will turn out. Chances are that these forsythia will not blossom in time for the show. In such a case, I will rush to the local florist to get alternative materials. That’s OK. It’s part of the game.
Underneath the bare forsythia, these tiny white flowers are already in full bloom. So gentle… I don’t think I can create any more beautiful arrangement than this. I simply bow down to nature!
Japan – America Society of the State of Washington celebrated its centennial anniversary on November 28. For that occasion, I was asked to make a large ikebana arrangement to welcome guests at the entrance.
The first thing I decided was the colors of the flowers I would use – no other than bright red and snowy white! The only two colors to represent Japan’s national flag. At the wholesale flower shop, a bunch of amaryllis, just about to bloom. That’s it for the red! For the white, I chose orchid and baby breath.
The next step was to select the vase. The round container with a smaller mouth. With this shape of the vase, you can place two long branches to cross each other inside it, enabling a large structure.
The photo above shows when I placed two long branches in the round vase. Both branches are dry, and I spray-painted one of them for a change. These dry branches come in handy when creating a large structure, so I keep them in the garage. My husband thinks I hoard so much junk in the garage. Well, honey, somebody’s junk is a treasure for somebody else.
The arrangement was well received at the celebration party. I really liked it too, so when I brought it home I rearranged it, took a photo, and also made this year’s greeting card.
For a change, I didn’t have a problem choosing flowers. Chrysanthemum was the one I picked at the wholesaler.
The Japanese Consul General in Seattle is going back to Japan at the end of this month, and a farewell party was scheduled with a short notice. As the current president of Ikebana International Seattle Chapter, I was asked to create a couple of Ikebana arrangements. My pleasure!
Although no formal law exists, chrysanthemum is widely accepted as Japan’s national flower. On the front of the passport as well at the entrance of the Consul General’s official residence, the emblem of the chrysanthemum flower occupies the prominent space.
I chose white and yellow chrysanthemums, to be the main characters for my arrangements. For the arrangement placed next to the podium in the garden, as shown in the photo on the top, I added lily buds to add an accent color. The oak branches shaped the basic structure of the arrangement, horizontally spread.
Next to the gold screen inside the room, I used the long calla lily to accompany the yellow chrysanthemum, to match the shape of the vase.
Thank you, Consule General, for all the work in Seattle. Please have a safe trip, and wish you the best of luck in the new assignment!
Since my program was quite popular, Frye Art Museum asked me to come back at their Community Day event earlier this month. I was more than delighted!
This time the event had no particular theme as to which color to stick with, so I chose the color on my own: Blue! That’s because I wanted to wear my favorite summer kimono and obi. All the flowers, although in a variety of kinds and shapes, should be either blue or white in color to match my kimono!
Just like I did last October, I made a smaller arrangement on my own, just to show the visitors as an example.
For the main arrangement for each visitor to collaborate upon, I only created a platform with branches and a couple of flowers. My intention was to maintain the basic structure of the arrangement (horizontal), and the focal point (a large hydrangea).
The event started at 11 am. The door opened, and visitors came in. Just like I did last October, I asked each visitor to pick one flower and add it to the platform. Which flower to pick, where to place it in which direction… I left it all to each visitor. I merely helped them whenever they had difficulty in placing it.
Nobody said no to my offer. Everybody picked one flower (sometimes two!), contemplated for a moment (sometimes a long time!), and placed it on the spot they thought the most appropriate.
By the time the event was over at 2 pm, the bare platform was filled with so many flowers. About 100 people collaborated to complete the arrangement. Thank you and congratulations, everyone!
Can you tell the similarity between the collaborative arrangements last October and this month?
When I prepared the platform, both in October and this month, I intentionally placed the two branches so that the whole structure would be asymmetric. The overall structure is horizontal, but one side is shorter than the other side. The horizontal line is a little tilted, from down left to upper right.
The basic structure I intended, however, gradually disappeared. The wide space initially created with two branches, was evenly divided by long lines of flowers. White flowers and blue flowers were distributed evenly. The overall shape of the arrangement looked more and more symmetric.
By a majority of the people, symmetry and even distribution in the space seem to look most comfortable. No wonder the two arrangements ended up looking alike.
When I create a flower arrangement, on the other hand, symmetry and evenness are the last thing I want to see, because they look boring. Break the symmetry, break the evenness. Can I still create something beautiful? That’s the challenging, and fun part of Ikebana.
The Ikebana arrangement I created by myself lacks that smooth, evenness. The rough angle, and the asymmetry, might intrigue some but tick off others. But I dare push to the limit. That’s my creativity.
The collaborative Ikebana, gradually smooths out the edge, and eventually becomes a work that the majority of people admire with ease.
There is nothing wrong with the collaborative work. But if you want some breakthrough, you might want to work alone first…
The jasmine vine in my backyard shows healthy growth in the summer. Too healthy that it almost overwhelms the spiderwort flowers blossoming nearby. One of my summer garden chores, therefore, is to trim the excessively long jasmine vines once in a while.
The vines don’t go to the compost bin right away. They are usually parked in one of my bamboo basket containers for a week or two.
This bamboo container has a small round opening on the top and a rectangular bottom. The handle is rather long, with two rods twisted into one. Meticulously hand-woven, this bamboo basket container is a regular that accompanies my jasmine vines every summer.
Inspired by the impeccably woven surface of the container, I try to weave the jasmine vines on and around the basket. Sometimes I successfully create beautiful curved lines that look like they are almost floating. Sometimes the lines end up sloppily dangling from the basket.
I try to replicate the most successful curved lines I can remember, but none of the vines are exactly the same. That’s the wonder of nature, and I have no choice but to accept the different lines each time.
So here is the Ikebana arrangement I did this summer. I accompanied lisianthus and lysimachia flowers, both of which have graceful curved lines. Hopefully the jasmine vines are happy with the company.
Volunteer Park is an oasis in a rather busy Capitol Hill neighborhood in Seattle.
In the 48-acre park overlooking Space Needle to the west, there stand two buildings that have a deep connection with Ikebana.
One is Seattle Asian Art Museum (SAAM). It has hosted Ikebana International (I.I.) Seattle Chapter #19’s annual exhibition for years. On a weekend in May, we I.I. members would display various Ikebana arrangements as well as perform Ikebana demonstrations at the auditorium. Members of I.I. would take turns demonstrating arrangements. When was the last time I took turns? The pandemic has halted our annual rituals, but hopefully we can return to this wonderful venue.
Another one is Conservatory. This unique building hosts so many tropical plants and flowers. And it’s a pleasure for us Mercer Island Sogetsu Group members to display Ikebana every fall.
This year we had a bonus opportunity at Conservatory… to celebrate SAAM’s 90th anniversary, Conservatory invited our group to display Ikebana arrangements this week!
Since Conservatory has abundant green foliages, they always supply us with green materials. We are to bring our own flowers.
The temperature inside the building is kept warmer to fit tropical plants. The exhibition lasts for a week, so I had to be careful in selecting flowers, to choose hardy ones.
Alstroemeria is always a safe bet. This flower lasts long, normally longer than its leaves. When using this flower, I trim most of the leaves first. In order to create more volume, I sometimes weave the stems to make a cluster of flowers.
I chose bright yellow alstroemeria for this arrangement to create a high contrast with the shiny, wide-green foliage of tropical plants. To give it a soft image, I added solidago flowers, also taking out most of the little leaves. In the front I placed lacy foliage of mugwort.
Another simplistic arrangement. Another simple joy of Ikebana. Congratulations, SAAM!
Well, not quite. It got unusually hot on that weekend. The air condition didn’t work in the venue somehow. I ended up making a different arrangement every day, using wisteria flowers.
On Friday morning I cut a curvy branch of wisteria and place it in a square container with wavy design. I liked the combination very much, and was hoping that the arrangement would last through Sunday.
On Saturday morning I cut out a long branch of wisteria and brought a matching long-neck container to the exhibition venue, just in case. Well, that just in case became the reality. The wisteria flowers of the previous arrangement wilted quickly over night. I had to replace it with my new arrangement.
On the final day, I ended up arranging a new one again. I had no more long branches of wisteria flowers. Short stems were all I had left. To counter act the shor and bulky wisteria flowers, I chose a longer branch of rhododendron and placed it on the opposite side.
The vase needed to be tall enough so that the wisteria flowers would touch the table surface. I chose this vintage bamboo container with lacqerware.
I learned that wisteria flowers, no matter how careful you treat them, have short lives once they bloom. Rather than trying to prolong them forcefully, why not enjoy the short but gorgeous peak to the full?
Thank you, wisteria, for your company. See you again next year!
The 64th annual exhibition of Ikebana International Seattle Chapter finished the first day with so much excitement. For the first time in three years, we got together in-person and appreciated the beauty of 27 displays of flower arrangements from different schools.
Two of the arrangements are works of Koryu古流、one of the oldest Ikebana schools.
Koryu dates back to 1770, when the picture of an Ikebana arrangement by the founder Imai Isshiken Sofu appears in the book published that year.
Koryu emphasizes the way flowers exist in nature. Without bending or altering too much, Koryu pursues to follow natural laws as much as possible.
The photo above is one example of Koryu style.
Here is another example. They don’t use too many different kinds of materials. Simple, yet harmonious beauty is created. I hope you enjoy both of them.
Ikebana International Seattle Chapter 19’s 64th annual exhibition this weekend
Photo by Author Akemi Sagawa
Among many events held in Seattle, two of them particularly remind me of the joy of spring. One is Cherry Blossom Festival in April, the other is Annual Exhibition held by Ikebana International Seattle Chapter 19 in May.
At the Cherry Blossom Festival, I enjoyed making five Ikebana arrangements on stage in 45 minutes. You can see four of the arrangements I had prepared at home the day before the demonstration. I would say, the demonstration was 80 % successful. It took longer than I had planned to make the first two arrangements. Well, happenings were to be expected.
All the arrangements were to be taken down immediately after the demonstration was over. At least I didn’t have to worry about stability of the arrangements too much.
The annual exhibition this weekend, however, has a different challenge. I have to create only one arrangement, but it will be displayed for two full days. Many people will come to the event. There will be “please do not touch” signage, but visitors don’t necessarily follow such signs. They might touch the flowers. At the exhibition, the stability of each arrangement is a much higher priority than with the demonstration.
I spent some time this afternoon contemplating what kind of arrangement I should make. I imposed on myself two requirements. First, do not buy flowers, but cut out whatever is in bloom in the yard. Second, use a container that I haven’t used for a while.
These three flowers are available: azalea, wisteria, and Mexican orange, as shown in the photo above. How should I combine these three flowers?
This is what I came up with. The natural curve of the wisteria branch kind of repeats the surface design of the container. How do you like it?
Wisteria tends to wilt quickly. After I cut the end of the stem underwater, I dipped it in sake for about 15 seconds. In addition, I added a little bit of sake to the container of the water. Use sake to prolong wisteria, is one of the tips I learned from my Ikebana teacher.
Let’s hope the wisteria flowers will stay fresh! (I will report to you if the flowers were kept in good shape for two days.)
